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Opinion: Tracey Emin – a litmus test of individualism

Last week I spent a drizzly London afternoon wandering around Tracey Emin’s retrospective show at the Hayward Gallery. Having seen several of her pieces individually before and otherwise mostly being exposed to her through (often outraged) media coverage I was sceptical of her practice and had filed her as someone who aimed for controversy and provocation over profundity and human experience. I came away from the exhibition impressed, deeply affected and entirely transformed in my opinion. Now with Emin again in the headlines after donating her neon piece ‘More Passion’ to the government art collection, a variety of commentators are …

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